HORSE THIEF
At this point in the tale, Kalin has been joined by Landry, who is Tom's little sister, and the spectre or memory of Tom, who only he has been able to see and communicate with. I'm not sure if it's actually a ghost story or if this is some way of Kalin processing losing his only friend. He’s not a bad kid or anything, just has always been quiet around others. [1]
In order to avoid direct spoilers, however difficult it is proving to be, Landry only comes into the scene, protecting Kalin from one of the relatives of the Porch family, the known shady business owners and owners of the stolen horses. The horses are named Navidad and Mouse.
This family member has a lot to prove and goes off on a mission to recover his family's property and stand up for himself and his family's name. The matriarch, Old Porch, is bemused and allows it.
All of this came on pretty quickly. Having not grown up in this world, I hadn't really appreciated "horse thievery" as a huge sin and bloody crime, but knowing that one of the owners was now angry, hot-headed, and armed, and in pursuit of our main characters was anxiety-inducing. He was a visible, concrete, and direct threat. I thought that he would be the main pursuing villain of the story. As one of the last spoilers I'm intending on having in this project, and because I am still somehow in the first two hundred pages, I'll leave it at this: the young Porch rapidly gains on Kalin and Tom's ghost. As he's intimidating the horse thieves, Landry pops out and intervenes, as she, too, was following Kalin, only somewhat aware of the promise he made to Tom (to free the horses).
But then... emotions settled. The situation ran cool. The so-called vigilante was welcomed for food near the fire and enjoyed the company of Kalin and Landry. He even thought that, come Monday, they would all be good friends and greet each other at school. She even paid for the horses in order to completely absolve them of the Porch's hatred and debt. They were horses for slaughter, after all, it’s not like they would be missed. [2]
So they parted ways, now all friends. But something else happens, far and away from the main characters, and a whole lot of hate and hurt and blame are suddenly directed towards Kalin and Landry.
All the while, the narration talking about this story as if it all had already happened, and the unknown ramifications of what it all meant, made for a dreadful and anxious account. [3]
This all made that far-off and almost historical charge of "horse thievery" sound that much more severe. It wasn't some cowboy hooliganism going on... now we're dealing with our main characters being accused of murder, and the rich, crooked family of the valley having "evidence" to solidly put them away. But they are out in the mountains. The pursuit and what happens to them is far off in the distance... but always known to the narrator and any of those who manage to survive the tale. [4]
We are still in the dark, but know only that suffering is on the horizon.